Friday, November 09, 2018

The Current Cinema 18.7


I loved everything about Luca Guadagnino's re-imagining of Argento's late 70's horror staple, from its sculptured excess to the ruminations about the past and how both worlds (human and sorceress) reconcile their grief and guilt. Hewing somewhat close to the margins of the original's narrative (this time its Dakota Johnson as the fresh faced American making waves in a haute dance company run by witches), this latest version careens all over the board however, meshing the life of an elderly psychotherapist (played in a dual role by Tilda Swinton) with the dance company as the grubby and violent exterior of late 70's Berlin towers in the background. How it all comes together is quite shocking, which is impressive since Guadagnino and screenwriter David Kajganich supply the original film's big secret pretty early on, allowing for the specter of World War II, terrorism and a key plot twist to fill in the (sometimes shocking) bloody gaps. This is a film that will certainly divide audiences, complicating the desire for straight up horror fans with art-house sensibilities and creating something sinister and bold in the process.

A Star Is Born

Competently made by first time director Bradley Cooper, the real coup here is that Lady Gaga inhabits her role with sensitivity and grace. It's one of my favorite performances of the year. Even as the film builds to its obvious conclusion and Cooper does all he can to wring the tortured artist out of his crumbling character, its Lady Gaga who holds the most passion on-screen.

Reviews posted now at Dallas Film Now:

Burning-  Too diffuse to be called a thriller and too vacant of a character study to be compelling, it left me disappointed because Chang-Dong's previous films avoided those pratfalls so beautifully.

Wildlife- Another actor makes his directorial debut.

Trouble- If nothing else its good to see Anjelica Huston on screen again.

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