House of Dracula
Featuring some moments of intrigue, "House of Dracula" (1945) is most remembered for its ill-advised move to conflate the stories of Dracula, The Wolfman and Frankenstein into its very short 80 minute run time for a chiller that falls more flat than fleet. A piano scene in which the magnitude of Dracula's hypnotism comes out and the above use of shadows and terror are the best things about this film. For Universal monster movie purists only.
The Night Eats the World
The Creeping Flesh
"The Creeping Flesh" hits all the sweet spots. Peter Cushing and Christopher Lee. A moldy, foggy Victorian England setting. Escaped raving lunatics. Botched chemistry experiments. An especially oozy latex creature-feature. So much good in this and a perfect Halloween watch.
Threshold of the Void
A quick check of French filmmaker Jean-Francois Davy's ouevre shows a hardworking man of..... erotica. Or, to put it more bluntly, porn. "Threshold of the Void" shows none of those proclivities. Instead, his tale of a mysterious black room that inspire creativity but seep the literal life (and youth) out of poor young women is an eerie and assured peculiarity. Emotionally damaged and alone in Paris, painter Wanda (Dominique Erlanger) rents a room from a nice old woman, only to be told never go through the locked door adjacent to the room. Of course, she does, and strange things begin to happen. While "Threshold of the Void" barters more in trippy psychedelic menace than outright gore, it's a film that earns its unnerving title even if its Polanski-era theatrics seem to be its main inspiration. This one may be hard to find, but worth the effort.
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