Thursday, August 03, 2017
Cinema Obscura: Demons (aka Shura)
And shadowy may be the best description for "Demons". Without a hint of daylight observed once during the entire film, "Demons" is a film whose characters exist in a netherworld or purgatory. Gengobei himself is a lost samurai, devoid of his rightful place serving his master and involved with a geisha named Koman (Yasuko Sanjo). When Gengobei comes into possession of money that will buy back his rightful place in the ronin contingency, Koman spins an elaborate charade to rob him along with her lover Sangoro (Juro Kara). Unwittingly setting in motion a series of violent confrontations, double-crosses and seething retribution, "Demons" obliges its dark aesthetic by pulling no punches in its savagery. Just witness what fate Matsumoto (and writer Nanboku Tsuruya whose play the film is based on) hold for even the most innocent of children.
Choosing to call itself "Demons" seems perfectly apt. The opening scene of the film observes a group of people running through the darkness carrying lanterns..... discombulated bodies swallowed up by the night as the only thing visible are the lanterns bobbing and weaving as they move. This eerie yet calculated image sets the tone for a film that refuses to give light to anyone. It's as if everyone involved has already sunk into the netherworld, becoming remorseless carbon copies of themselves. Demons. And like his transvestite youngsters in "Funeral Parade of Roses", they're living a life they've accepted on the margins of reality. It may not be pretty, but at least its true to them.