Billed as the best heist/getaway movie since.... well name any one from the past 25 years and that's the reception being given Edgar Wright's latest adenalized feature, "Baby Driver". It's also a musical, of sorts, combining an impressive swath of pop/rock/hip hop and classical tunes against a violent narrative of bank robbers and lonely getaway drivers in the concrete jungle of Atlanta. It's still not a very good movie, despite all those things just mentioned. Any pleasures to be gained from Wright's finger snap editing of image and musical notes is overwhelmingly drowned out by monotone characters, cheap diversions of the crime genre and a sadistically overwrought final third.
A singular vision from a singular filmmaker like Jodorowsky. Full review on Dallas Film Now.
The Little Hours
Written and directed by Jeff Baena, The Little Hours owes much to the comedy of Monty Python or the sanctimonious subversion of Luis Bunuel and Pasolini. Loosely based on a couple of stories from “The Decameron,” it doesn’t make much sense to try and make literal connections. The film is its own beast. Deftly paced and breathlessly acted by all involved (especially a late appearance by Fred Armisen that had me in stitches), it’s a film that understands its purpose of fully formed characters and well designed situational laughs.Full thoughts at Dallas Film Now.