As Above, So Below
From the Dowdle brothers, "As Above, So Below" is a pleasantly diverting piece of archeological horror whose impending atmosphere and attention to peripheral thrills far outweighs the nonsense of its average acting and bland found footage aesthetic. Films that deal with portals to hell either go too far or not enough (think "We Are the Flesh" for the former) and while this film does mingle slowly into some heavy aversions about a trip to that fiery furnace, it also pulls back when I thought it may go-for-broke. Still, this one far exceeded my expectations and deserves a look-see on Netflix.
I have to give Dutch filmmaker Dick Maas credit for severing his genre films with some pretty left field choices. In "The Lift", his modus operandi is following the travails of a haunted elevator in a high rise building. In "Amsterdamned", his serial killer is a scuba diving madman who lurks slowly out of the water and around it, picking off his victims in savage fashion. The better of the two films is "Amsterdamned" for the way it plays with the police procedural film. Its lead detective (Huub Stapel) doesn't do much to catch the killer. Various false leads result in nicely staged car chases, but the case is cracked by someone ancillary to Det. Visser. And the death scenes feel more brutal than the overall tone of the film. Regardless of all this, "Amsterdamned" looks terrific in its Amsterdam 80's-ness and it fairs much better than a haunted elevator.
The VHS-rip I watched William Asher's film on incongruously features the title "Night Warning",dropping the far superior one of "Butcher, Baker, Nightmare Maker". That's not the only mistake of this film. Supremely boring and offensive for its vilification of homosexuals, the film features shock violence and Susan Tyrell as an overprotective/sexually repressed aunt who just can't deal with her adopted nephew fleeing the coop. If that sells it for you, this is for you. I could barely get through it.