1. Princess Cyd (2017)- Had I made time for this in '17, it most certainly would have placed pretty high on my 'best of the year' list. Gentle, knowing and heartfelt tale that slinks along with intelligence in dealing with the fumbling emotions of a 16 year old girl (Jessie Pinnick, wonderful) spending a few weeks in Chicago with her aunt (Rebecca Spence). There's no huge moments, just perfectly realized characters finding their way through this certain time together. And the speech given by Spence to Cyd in the kitchen after a party feels ten times more real and moving than the speech given by Michael Stuhlbarg in "Call Me By Your Name"..... which earned him an Oscar nomination by the way.
2. Flower (2018)- can't say much. review upcoming at Dallas Film Now. Zoey Deutch is the real shit, though.
3. The Devil, Probably (1977)- Robert Bresson's second to last film, highly regarded by most and still so hard to see today. Dry is an understatement. Watching this group of social and environmentally active group of teens sleep with each other, fall in and out of love, question God, then ultimately question themselves is not without its blessings.... it just also feels very self-serving. I love the way Bresson remains entrenched on watching hands, bodies and objects more than the faces of his characters, though. I also see where Bertrand Bonello probably drew his inspirations for last year's "Nocturama".
4. Brawl In Cell Block 99 (2017). What I said about "Princess Cyd" applies here as well. I can't even recall this thing playing in Dallas last year. Maybe a midnight Alamo Drafthouse event? Regardless, it's a relentlessly hardcore exploration of the decisions made when pinned between a rock and a hard place. Vince Vaughn is amazing as the ex-boxer pinched for dealing drugs, then forced to sink lower and lower into the pits of confinement hell when given an ultimatum. It all becomes quite exploitative, but in the best way.
5. Mustang Island (2017)- One of the films I missed at last year's Dallas International Film Festival, which it went onto win the Texas Jury Prize from. Head scratching mistake if you ask me. Filmed in that deadpan, black and white early Jarmusch way, even its aesthetic screams precocious. It's story? Not much better. Macon Blair drags two buddies on a stalker-esque quest to find his recent ex-girlfriend at her beach home on the Texas coast. Of course, life lessons and new loves are earned. Everything in this effort has been done better and more sincerely.
6. Gideon of Scotland Yard (1958)- What a day for Chief Inspector Gideon (Jack Hawkins) of Scotland Yard, who has to deal with crooked cops, murder and a payroll robbery all in one day. Handled deftly (if not fairly pedantic) by Ford, the film is worth watching only for his handling of the stiff, tight-lipped manner in which most British film of the 50’s and 60’s were shrouded in.
7. Gator (1976)- Burt Reynolds directed southern-action flick about an ex convict named, yes, Gator (Reynolds) enlisted by the feds to infiltrate and bring down old buddy Jerry Reed. The seven year old in me would have loved the opening 20 minutes of speed boat chases along the Louisiana bayou.
8. The Whispering Star (2014)- Either one likes Sion Sono's films or not. "Tokyo Tribe" anyone? The man is a true punk rocker in a long line of cinematic Japansese saboteurs. "The Whispering Star" is yet another deviation in his work. Quite slow, reflective and featuring one sequence of breathtaking visual acuity, the film tracks a robot delivering mail packages to people around various solar systems are her brief interactions with them. Though the worlds she ultimately lands on look like post apocalyptic wastelands of Earth (for good reason since Sono filmed in areas around the Fukushima power plant meltdown), the small beauty lies in their interactions that range from obscure to heartbreaking.
9. The 1517 To Paris (2018)- Very confused by this. I've liked Eastwood's efforts less and less since his masterpiece "Mystic River", and this one features the real life men who stopped a terrorist attack onboard a French train a few years back. The problem is, none of these guys can act and Eastwood chooses to begin with their friendship in grade school, which comes off just as tone-deaf and hackneyed as one would imagine. It doesn't get any better as it goes along, either.
10. Norwegian Wood (2009)- Based on acclaimed author Marukami's novel of the same name, Tran Ahn Hung brings the story of young star-crossed lovers to light with ethereal beauty and texture. Friends since childhood, the always splendid Rinko Kinkuchi and Kenichi Matsuyama react to the suicide of their best friend in different ways... ways that pull and push them together for years afterward. This is a film that reminded me of the early films of Julio Medem in the way life is messy and rude and beautiful each time we meet someone new. Not to mention, this features one FANTASTIC score by Jonny Greenwwod. Yes, even better than most of his P.T. Anderson films.